D's Blog

March 26, 2010   ♦   Comments Off on March Dance Event: Part 4, More Farhana

March Dance Events:

Part 4

More Princess Farhana.


But that wasn’t the end of our crazy week.

Oh no! Sunday we did a Basic Burlesque workshop with Princess Farhana. She told the historic perspective, connection, and how belly dance and burlesque have  influenced the other . Burlesque and belly dance clubs used to be right next door to each other on the Sunset strip San Fran, NY, Chicago. . . The beaded burlesque costume was adapted by belly dancers. In the early days Harry Saroyan told me how the dancers in mid east clubs when he first came to NY all wore pasties. There have been many intersections where dancers meet and the issues of their sexual power come up. If you aren’t comfortable with your own body it’s hard to sit still and allow someone else who is to use their power. The workshop was a enlightening reality moment.

I am a feminist and I love burlesque!

I love the power demonstrated on stage in a good burlesque show. I have yet to be made uncomfortable. Am I going to do it? maybe. After watching burlesque shows where the audience is full of women hooting and hollering, screaming and clapping as their sisters of all shapes and sizes flaunt there stuff, bedazzle us with beauty and endless sparkle, I see their power, freedom, creativity and wit shine through full force.  It was so fun to give it a try in the privacy of our studio and strut around. This workshop felt like a healing of unclaimed body parts and psychic cultural denial. Alas. . . Next time she comes we are going to offer a beginning and an intermediate performance course.

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The day ended with a wonderful dinner party celebrating the week end events at

Sallah’s house (the violin player in House of Tarab ). What great cooks they members of the band all are. They not only cook it HOT on stage but they are Hot in the kitchen and barbecue too.

Delilah

PS Buy Princess Farhana’s Videos and mine. You will love them all.

The Power Belly Show Episode #35 has her co teaching with me. Up shortly.

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  ♦   Comments Off on March Dance Events: Part 3, HATHOR UNVEILED

March Dance Event

Part 3

Hathor Unveiled


Then the Hathor Show  was Saturday night. . . .OMG what a wonderful project to be a part of. Suzanna and Malia are such good girls. To honor their belly dance forbearers in such style! Hopefully some day they shall know the same privilege to be honored in ones community. Beautiful job, beautiful job! I choose not to do the kind of dance I am known for ( I did that so deeply the night before). Instead i took the opportunity to add to the Hathor theme of the whole event with a deeper tone . Dancers often miss the opportunity to be in contrast. It’s not always easy to leave what you know people expected to see you do. Since Hathor is my favorite mythological archetype I choose to dig that dance out of my dance closet. I this dance has a long history. It was originally commissioned as part of Laurel Victoria Grays EGPTA Show in Germany. That and a dance called “The Death of Cleopatra”. I also danced it in Hathor’s Temple in Denderra Egypt, in California at a retreat at a place called Isis Oasis, on Easter Sun rise at my Maui belly dance retreat with Mezmera. I teach it as a movement meditation often in workshops.

It is very calming and sooting to do with it’s specific movement passes and spacial design. The moves lead to a deeply trance inducing meditation. Often a tear appears from my left eye. I have no idea why, it just happens, and it happens often.

The full dance with costume was not easy to resurrect. The wig was made in 1975 . We fought for hours trying to stabilize the brass and copper moon piece on top of the head dress that was made by Lenny of Magic Circle in 1997. We finally figuring it out with the help of Christine and Erik right before the show. Yikes! Hathor’s mirror is an amazing art piece with carnelian and amethyst jewels, 7 knots of cane as well as the vertebra of a cow set into the handle. It was made by Uncle Mafufo and it was taken and used in the temples and pyramids of Egypt on 3 separate trips. The music is by my X husband Steve from his , Rapture Rumi Cd but it’s a special edited version. The blue and gold jewelry pieces were given to me at a workshop in New York in 1988 and just happened to go with the peal beaded dress I magically found in 1997. Laura Rose and Christine were my mirror and aunk attendants.

Hathor’s Mirror represents reflection, beauty, and mystery. The aunk is the life symbol. The ancient Egyptian Goddess Hathor represents women, birth music, dance and drunkenness. It felt so good to be able to share this piece with the belly dance community.

My wish to Hathor is for the power and strength of our belly dance community to

continue grow in the feminine ways of women’s innate wisdom.

Your

Neighborhood Temple Prietess

at your service

PS I am planning a Tour to Egypt in April of 2011

Email me your name phone and street address and I’ll send you the brochure soon as it”s ready.

PS Related story links

Experience of the Beautiful

Cane Dance of the Hatshepsut

Hathors Movement Meditation

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  ♦   Comments Off on March Dance Events; Part 1, The Porcelain Promenade

Evilyn and Bell

Evilyn and Bell

March Dance Events:

Part 1:

The Porcelain Promenade


This has been the most amazing string of dance events so I have entered them in parts.


I suppose it really began the weekend before when we went to Hales Moister Festival’s Burlesque show at the ACT Theater. My daughter who is known as Evilyn Sin Clare in the burlesque world (and Laura Rose in the belly dance world) did a fabulous duet with Belle Cozette in that show. It was called the “Porcelain Promenade”. The whole evening show was one of the best burly-circus shows I have ever seen! However the duet was definitely a spectacle in it’s own rite. It involved weeks of 20 volunteers spending 100’s of hours gluing 40,000 rhinestones on 2 toilets. They were then set on wheeled platforms and the two girls did a hysterically beautiful ballet with them. In the beginning hearing about their act raised a few eyebrows but the girls determination and vision succeeded to surprise everyone and win in the end result(you have to see it). They were in a sense burlesquing burlesque they claimed. They went on to perform it at the Triple Door as part of the Sin on Heels Revue on the next Wednesday night. It got favorable write ups all over town, including a feature bit in Jessica Prices Theater column in the stranger! She said they were the zenith of the show!

Article Here

Both girls have worked so hard on this act . Costumes, props and tons of sparkle!

WANNA SEE A CRAZY DREAM COME TRUE?

They need your help!

HELP SEND THEM TO MISS EXOTIC WORLD!!!!

Evilyn Sin Clare and Belle Cozette are entering the “Porcelain Promenade ” along with some solo works in this Junes Miss Exotic World Pageant. They have to send in video tapes and then be selected . I’m confident they will make the grade.

Miss Exotic World

They spend 100’s of dollars on each rhine stone toilet  and are really out of bucks.

They need a truck to get these props and them selves to Las Vegas in June.

I will post soon where and how you can donate!

Proud Stage Mom

See Photo here

Evilyn Sin Claire & Bell Cosette

Evilyn Sin Claire & Bell Cosette

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March 10, 2010   ♦   3 Comments »

This past couple of weeks has been a chewy one for my mind. On different occasions in conversations I’ve heard these words spoken and then the snake chama controversy arose on the internet on different internet forums I belong to. I thought I would share these powerful adages and some thoughts I had that rose from reading comments and viewing the youtube snake chama video. I wrote this last week but re read it a bunch before I posted it.

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“It takes little effort to criticize something,

and so much work to create something.”

( words of wisdom from Celeste)

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“On the underbelly of judgement is longing”

(words spoken at a labyrinth school)

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“Todays most valuable and sought after commodity is your focused attention”.

(woods spoken at a labyrinth school)

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“Envy is often indistinguishable from pride.” ( review of 7 deadly sins. This on deserved a lot of thought!).

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“Know thyself”  (Delphic Oracle)

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SNAKE CHAMA

As some may be aware this video seems to have rumpled the feathers of many belly dancers. They have become very outspoken in the comment section underneath the clip (mostly negative) on  youtube, as well as in various belly dance forums, yahoo groups across the nation, and on bhuz. . .

Below I share some thoughts that some may not have thought about. I find throughout my career that we, as a sub culture of women, are very confused and need to continually take our blinders off. Blinders are something you put on a horse that prevents them from looking to the rear and/or side.

I feel like I should say something. I am a person who happens to have done a lot for belly dancing in my career. I‘ve been invited to attend the International Belly Dance Conference in Toronto as a representative of pioneering belly dance in America next month. That must mean something. Delilah Bios

I do not think the women involved in this video have ruined the reputation of belly dance as some of the commented.

I would ask the women throwing stones what they themselves have done to elevate belly dance. I don’t see a lot of large strides being made these  days. I see lots of hen pecking. Lots of internet self importance. I feel the actions of these comments is more offensive. Partly I blame the technology of the internet that often draws the worst of all our voices to the surface. Talking in person is way different. Just like dancing in person is. We have the circumstance, the atmosphere that surrounds us and how we are dressed. These thing make a difference in our thought processes and our behavior.

Most people are afraid to comment on the internet because of the  flaming. If you have ever been a victim of the flame war, you feel like few will come to your aid, mostly because they are afraid of the flame themselves. Enough about that for now, I don’t really want to talk in that direction today…

Thoughts about the Youtube clip with Sadie and Kaya snake chama

Question:

If a tap dancer or a salsa dancer danced suggestively to lewd hip hop lyrics on youtube do we feel all tap dancers or salsa dancers are at risk of being thought of as suggestive and lewd?

My answer: No, I wouldn’t think so.

Question:

Well, how come when a belly dancer dances suggestively to some lewd hip hop lyrics on youtube many other belly dancers feel their own reputation and the general reputation of all belly dancers is at stake somehow?

It touches a very real nerve. I ponder hard. . .

I hear, I feel, and I can smell fear . . . I see not power nor strength from either side.

This attitude is very stifling.

Ladies, does our sense of worth come from inside us, or outside us?

Do we respect ourselves and other women or do we still, deep inside, doubt that women have worth as fully embodied females, the way God made them. Is our better worth only as non sexual beings, neutered versions of women?

I would hope that your reputation is built on good deeds and work you have done. If you haven’t done any, than that may be more the problem then someone else’s mode of self expression. I see these dancers who have responded negatively on the youtube clip as well as other talk groups claim that they have lost some degree of respect that they have somehow earned. I am curious what  exactly they themselves did?

As a subculture of women, do we even have a sense of worth, or is it non existent? (I made more money for teaching and per performance in 1979 than they get today).

Is our worth so fragile that one persons voice of expression paints all the rest? Kind of pathetic to me. Maybe part of the reason that women are continually objectified is because it’s so easy to do to them. Our defensiveness turns us upside down and renders us powerless.

The way to not be objectified is to use your own power. I am not suggesting we ignore things that upset and effect us, but ask your self what can you do to create a desired positive change. I don’t think ridicule and throwing things at other dancers has accomplishing much.

Side bar:

Women’s power is the Power of Attraction. Thats why women in the middle east cover up. Men are powerless in the face of women’s power of attraction. Thats what they claim! In the western world men learn to behave (kind of), and women learn to pretend they don’t have it! It, being the power of attraction.

We have been taught wrongly that there is only so much love, beauty and resources to go around. It’s called poverty consciousness. Right now with the economy, it is at a record high. For women, the other two, beauty and love are as much at stake as money. When we see someone using those resources “we” think ,it’s unfair. (Envy or PRIDE) What we miss is those girls may be lovely, but all women have the power of attraction. It’s not a commodity, it is a power in the universe. Women have been fooled into NOT knowing they have it.  We have also been taught that only a narrow spectrum of life is attractive; the young, skinny, blonde and big boob parts.

Haven’t you ever met a girl you didn’t think was a looker by conventional standards and yet she gets all the attention form men. Well I sure have. The power of attraction is not what you think. It’s how you feel inside.

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Who is calling who a Ho?

The mean spirited comments lobed at those girls are pretty nasty. Even more offensive to me than the video. There is not breasts exposed or frontal nudity in the video. No one calls them a ” ho ” in the video that I could pick out. However, they were called prostitutes and hos in comments by other belly dancers. I looked at the comments and I didn’t see anyone chiding the boys for their choice of artistic behavior. Just the girls. So I listened to the lyrics closer. They are adult, but not so bad. In fact it’s beginning to grow on me. A couple of get-your-attention rhymes but nothing worse than what one hears on South Park. (Not to say that condones anything. I’m just saying,  it points to larger society issues, and hypocrisy. Those throwing stones probably accept a lot of crap from society as cool).

I think those singers really likesbelly dancers! LOL

I went to the bands site I found they have a trailer where they verbal announced with pride who the dancers are on their video. That was positive in my book.(I was in the major motion picture China Syndrome and didn’t get my name on the credits. It was fun. It was just a role. but not especially doing anything for BD.)

Then I noticed another youtube clip by one of my favorite dancers, snake chama with Rachel Brice. Not a lot different save for the lyrics and the lack of blatant sexual suggestiveness. Yet, she is still sexy in a fashion model tribal way. We are looking just as closely at her sexy belly. The place where sex happens! Belly to belly. OMG!

So what’s the real difference for you ?

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The song is a erotic love poem about snaky sexy belly dancing. Ahhh? Belly dancing isn’t always sexy. To me it can be  many things (some times it’s down right frumpy), but it sure can be pretty sexy, as these girls illustrate. Serpents have always been connected to this dance. Down deep? Is that not what attracts all of us to the dance if we were really honest?  Some sort of ancient symbolic feminine serpent wisdom . This is what I learned in women’s studies class 101. But then there is that garden, Adam and Eve and the serpent thing, so maybe all that Puritan stuff  triggers the defensive action in some dancers.

For crying out loud don’t let it! You know how beautiful and positive this dance is for women and don’t you forget it for one moment!

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To deny our own sexuality is pretty hypocritical AND disempowering!

When we get all defensive especially with each other, the scorn feels so puritanical. I feel  the inquisition lurking around the corner. In the olden days free blacks owned slaves. Thats called wearing blinders. Slaves whipped other slaves. We don’t need belly dancers that don’t have their own sense of self esteem whipping other belly dancers. Better no whippings please.

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I feel strongly belly dance empowers my life. That has been my message throughout my career. However, when I feel that there are boundaries set, telling me and others how to express my art; somehow I don’t feel very free. Especially if the boundary being set, even tap dancers can step over. Jeepers!

Truth is we are all free to express our art. . . and truth is, there may be consequences.

While I don’t choose to express myself in certain manners, morally I suppose I must value the freedom to do so. THATS BEING AMERICAN!

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Over all I want to encourage dancers to do good work, good deeds and quit worrying about what others do with their artistic licenses. If you have a deep commitment to this dance, to the art, to the profession of belly dance. . . Then I encourage you to each make sure your own artistic license is getting lots of positive use!

Go create something beautiful!

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