D's Blog

Delilah & Erik, Yasmina and Sema

Overview from IBCC

INFO

Overview of the event.

It was a great privilege to be an invited guest artist at the International Bellydance Conference in Canada IBCC 2010. They chose me as a representative of pioneering Bellydance in America. This honor meant a lot to me. I have influenced and inspired so many of the top dancers in the world today, and though this may not be known to many dancers who are new to the art, it makes me very proud.

Hats off to Yasmina!

The conference was conceived by Yasmina Ramsey, owner of Arabesque Studios in Toronto. This was her third year of hosting this major event. She was inspired by the International Bellydance Conference that was held at OCC College in California in 1997. The California Conference unfortunately did not continue as an annual event. Yasmina decided to pick up the ball and run with it. She does an amazing job on such a huge project. She is a great organizer and business woman and has a big heart. The next one will be in 2012 and she is already taking reservations!

A conference is more than a typical weekend bellydance festival. There is vending, four 100 minute long classes each day, the performances are mostly at night instead of all day non stop. By having lectures, films and power point presentations the conference has an added academic element. Dancers get to meet each other and be recognized for their contributions to their art. A conference offers the opportunity to speak and exchange ideas by holding panel discussions with professional dancers, musicians, business owners, scholars and the audience of dancers and the similar ilk. These panels were stimulating and thought provoking. They were real, live, in-the-moment, and personal interactions. It was rich and refreshing. We have gotten used to our dose of mind walks in bellydance through magazines, blogs, articles and internet group chatter where we cannot see each others faces and dynamics of expressions. On the internet we can ramble on paragraph after paragraph with out the benefit of others input.The conference has inspired lots of writing across the nation no doubt, but to actually be there is most important! I hope we have more of these kinds of events.

The conference began with a gala opening show on Wednesday Night. All day Thursday through Sunday there were workshops, panel discussions, presentations, and films.  There was never more than 2 scheduled events over lapping and of course individual personal necessities like shopping, food, conversations, and rest. The classes were really big. Over 150 dancers in most workshops. The room was big too with a slanted floor and a elevated stage for the teacher, so it worked out well. Another 40 to 50 dancers would be at the presentations up stairs. There was a small lunchroom, and studios available for private lessons and magazine interviews.

The vending was open during the day only. This gave venders opportunity to rest and enjoy shows every evening. The performances were all over the map with styles, groups, troupes and soloists from all over the world. All the performers submit their dances and are juried before hand. This is important! This prevented the show from becoming boring. It clipped along at an exciting pace. It did not exhaust the audience as so many festivals tend to do. Each nights show was about 90 minutes, with a short intermission. The second half of the show was devoted to the Arabesque Ensemble. It was held at the Ryerson Theater and open to the general public.

The unfortunate thing at this conference was that the Icelandic volcano prevented the major international stars, Mamoud Reda and the Gawazi dancer Khairiyya Mazin from Luxor Egypt from attending. There was no one at fault, just Mother Nature doing her thing. Cassandra from Minneapolis was called in at the last minute to take their place. A fabulous choice. She was a delight. This years conferences head liners included: Sema Yildez from Turkey, Jillina of the Bellydance Superstars, Hadia of BC, Sera Solstice of NY, Amel Tafsout of Algeria, Delilah of WA/HI USA , Zikrayat of NY, Yasmina and the Arabesque Dance Company and Orchestra of Toronto.

Then there were many other performers, presenters and panelists featured in the printed program from all over the world. I will name just a few. Many from Canada; Serina Kerbes Alberta, Rosanna Mc Quire, Rula Said, Mayada, Laura Selenzi, all from Ontario, Monique Ryan Nova Scotia, Maki Natori and Lynette Harper from British Columbia, Brigid Kelly from New Zealand, Caitland Mc Donald from the UK, Dahad of Nevada, Andrea Deagon North Carolina, Candace Brodelon Texas, Tamalyn Dahlal Washington, Shira Iowa, Tasmin from Argentina, Sahar Skinner from NY, Edony Quils from Wa D.C., Meiver de la Cruz from Massachusetts, Michelle Marinho from Brazil, . There were large troupes like the Habeeba Hobeika Egyptian Dance Ensemble from Ontario Canada who performed Mamoud Redas choreography, The Righteous Rogues all male dance group were a highlight, The Sultanettes, Shades of Araby, Mirage, all from Ontario, Ranya Renee and Company from NY. Raqs Sahara from Wa D.C. There were duos like Sofie and Chanti from Quebec, and mother and daughter Iona and Hafia from Ontario.

Musicians George Sewa, Sami Abu Shumays, and Suleiman Warwar and of course drummer Erik Brown played for my class. Lynette Harris from Gilded Serpent E magazine was intent on the presentations and panels.

So many wonderful conversations and new friendships were made. It was one of the best events I have ever been to and I will definitely be back in 2012.

Delilah

Delilah’s Visionary Belly Dance Retreat

April 2-9 2010

Location: Kalani Resort

Theme: Tribal-Hula-Fusion

Staff:

Special Guests: Amy Sigil director of Unmata Sacramento, CA,

Dahlia from Seattle, WA

Musician: Erik Brown,

Your Host: Delilah

Hawaii Belly Dance Retreat, Easter Group 2010

Letters from the Edge of the Volcano

Dear Dancers,

Aloha.

Every one of our retreats since 1991 have been unique and an in depth explorations into the art of belly dance. They all occupy special places in my memories and my heart. This frank day-to-day journal is a window into one such retreat. It is completely different from the theme and energy we explored 3 months ago in January with the Neighborhood Temple Priestesses. Thats the idea. To keep exploring, tasting, learning and to occupy different perspectives in our dance. To keep the art of it, alive from within.

Letter #1

We arrived in paradise on Friday afternoon. It’s Monday as I begin to write.

The retreat is going very well so far. We did 8 hours of full out dance on the first day! Not a lot of talking either. We put our efforts to learning a bunch of tribal improv body vocabulary first off, and were reduced to total sweat and minds of mush by end of Saturday night. Of course not everyone did all of it. After a certain point some of us had to sit and watch. Watching is just as important mind you, and often more important because while you are constantly moving, you often miss the totality of the movement and the underlying attitude that goes with it.

We had 2 Island dancers from the town of Hilo join us for just Saturday. Knowing this ahead of time, I rearranged the class schedule to give them a real bang for their buck since they could only join us for one day; (Sherry and Denise). We enjoyed connecting with them very much. I wish they could have stayed for the entire retreat because it just kept getting better. Next time!

We knew this retreat would be very challenging compared to other retreats. We were calling it “Unmata Boot Camp”. Of course that’s only if you choose to do everything we were offering. We always tell dancers they don’t have to do everything. On this particular session we were offering a large variety of belly dance classes. Each year we have dancers come who approach our retreats differently. Some want to dance 24/7 and others want to dance and relax by the pool or beach half the day. This retreat availed a special opportunity to really grok tribal styles in an accelerated few days if you had the energy. We learn and retain by daily doses, repetition and reinforcements. A retreat is a perfect vessel for this kind of work. When we retreat, we are cut away from usual life obligations, going into a different environment, where we can devout body and soul to our dance. Not like a workshop in the city.

I am learning a lot. I probably am not going to emerge a ” Tribal Girl” but I am learning signature moves and gaining a good appreciation for the different styles. It’s really great. I like the different way of moving and being in my body for a change. I think we all should experience different styles to stay fully engaged with dance and avoid becoming stale.

Crazy as it sounds tribal is not all we are doing either. Dahlia is teaching Egyptian and Folkloric, and I’m adding Power Belly and taking care of the Easter Sunday ritual element with a little dose of NTP style…

We are dreaming dance as we listen to the jungle sounds. We can hear the roar of the surf and either the rattle of hard tropical rain on the roof or an ubiquitous hiss that fills the air with spray. The Hawaiians have so many names for the different kinds of rain. My cottage is circled with open screened windows. It’s like we are sleeping under a banyon tree in the jungle. I lay listening to the bush and sway of palm frowns like slow hula hips in the night, partnered with the aftermath of rain drops plopping on jurassic park-sized leaves in the trees. Oh, and frogs. Lots of frogs singing “boo peep, boo peep!”

A GIFT:

We had an anonymous donor make a gift of “TWO” week-long scholarship spots to out retreat this year! Wow! It happened every once in a while. It really is a testimony to the good work we do each year. It makes me proud. Women see, feel and know that the experience is so beneficial. They are inspired to GIFT other women! This is a powerful thing . . . . Mahalo. I love this universe.

It was up to me to choose who????

It was not easy, and it was last-minute so it had to be some one who could get off work and buy a plane ticket. I finally decided to choose 2 women who really wanted to come but couldn’t because of finances, would try their hardest, are very supportive of VDP, show the most potential in learning fast, and retaining concepts and choreography and then can bring it back to our studio. If it had been a different theme I would have chosen very differently. I knew this retreat would be very, very challenging.

More later, maybe, signing off for now. . .

Delilah

Letter #2

Back again for more. . .

I forgot to mention, on the first day we did all that Tribal, we also did our first “Basics of Egyptian Styling” with Dahlia, a “Power Belly” with me and Erik, and I taught a couple moving meditations for us to greet the sunrise with on Easter morning. Ha! Most slept well after all this and then rose early. It’s the style of living in Hawaii, to go to bed early and wake up early. You find lots of people up at 6 AM walking the dog, jogging, swimming, and doing yoga.

Easter Sunday

We woke up a little before the sunrise and met at what they call ” The Point”.  It’s just across the street from the Kalani, on the one and a half lane jungle road that snakes along this edge of the South East side of the island. It’s a tranquil view spot with a fire pit and a meditation bench. It over looks the crashing surf and wide open ocean. Sometimes you can even see volcano glow as it pours into the ocean further South of us. But not now. Today it’s perfect for witnessing the moment of sunrise. The fire pit still had burning embers from the night before where some one must have enjoyed this post under the stars. It was all quiet, fairly still, the moist morning was colored by a thick gray light, the way mornings start out. I was the first to arrive. I wore a simple yet elegant, easy-to-pack, floor length Goddess gown.  I just love to wear them. They ad such grace to one’s day. They take me back to ancient origins. Remember when you were small and played dress up? It takes you to the creative place in your imagination and thats why I think a lot of women are attracted to belly dance.

I put a pink flower in my hair. There was no need for a sweater. The temperature was absolutely perfect even on the bluff in these early hours. It felt a bit surreall. The rest of the dancers showed up, two by two. I lead our NTP grounding and centering movement meditation. It gives us a little stretch and sends loving good will to all the dancers of the world in 4 separate directions.  Many dancers have done this with me all over the world at different events. Now it feels more powerful than ever before. Together we stood facing the East and watched as the golden egg of the sun was birthed, crowning face first through the clouds on the horizon. A new day was born. OMG, so beautiful.

After this we all hung around and talked about the different ways we have celebrated Easter Sunday throughout our lives; the rituals of Easter baskets, church services, family dinners, frilly dresses and bonnets, Easter egg decorating with those little store bought dye kits, chocolate and jelly bean eggs and Easter egg hunts.  (My goddess gown took the place of the frilly dress ritual I guess.) One dancer shared a story from her past. In Montana no one liked to eat those over-boiled colored eggs, so they got out their guns and ritually used them for target practice . . . . . . This was our 4th retreat we have done at Easter time in Hawaii. It’s really a perfect time to go be with your sister dancers. Away from the gunfire and religious fanatics. They all agreed today would stand out as a very in-tune Easter to remember for a long time to come.

Speaking of eggs. After breakfast everyone got a gift from the Easter Luna Hare. It was a plastic egg with a pair of uterus and ovary logo Power Belly panties tucked inside! Perfect Easter gift. We took a group photo with us all wearing Power Belly logo shirts and Amy and Dahlia posed wearing the panties over their black yoga pants. Too hysterical for words. OMG! Can’t wait to see the pictures!

It was also another big day of dance. We sure started early. We were happy to note our minds were retaining better today. Good food, sleep, clean air and the lack of cell phone reception, TV’s and the constant emailing we normally do is amazing for the dancer’s brain!

As you see I am keeping a short journal and I started it on day 4 looking back when my body has been tossed around – kind of like the rocks and sand in the frothy blue green surf out there. I feel clean.

Amy

If you have met her, you know what an exceptional women she is. She is very intensely engaged with her dance. It’s an addiction, she will admit. She prefers to dance every minute of the day. Personally she has the the ability to be very present with everyone she is with, in a way that makes each of us each feel very special. It must also be an addiction. Charisma is a powerful gift to be given. We would all probably follow her anywhere. We each become intoxicated and addicted to her magic . . .

Dahlia

She lead a wonderful “Shimmy Madness” work out. She has a particular method for cultivating that perfect shimmy of hers. Dahlia’s years of childhood ballet give her a signature grace. Her preference to improve keeps her emotionally near her audience instead of off and reserved. To watch her every day like this is to imbibe a lovely balance in her every step.

In the afternoon we did some island exploring. I took a few adventurous ones to the near by steam vents; Bring a bathing suit, towel and bug spray. Dahlia, Bevin, Amy, Bella and Erik and I went. We drove for 15 minutes and pulled off the road. I lead the merry band of trusting souls down a slippery slope, then down a narrow path cut through the tall wet grass that gobbles us from each others sight if we advance 10 paces ahead. Wild orchids appear here and there in the weave of brush. I luckily remember the correct forks in the maze of grasses, mud, and rock formations. We arrived at a small, low cave opening. It was  a little bit bigger than the size of a large pizza tray. I begin getting out of my shorts and shirt and piling them on top of my towel. “Here it is”  I announce, “climb on in”.  They were a bit apprehensive, but since I guaranteed it would be worth it,  they complied to my prompting. In we squeezed through the opening, that to their welcomed surprise, opened into a larger spacious chamber with a natural sky light high above so it was pleasantly light inside. Wood boards had been set into the cave to create a comfortable seating arrangement. In a matter of moments we began to get licked clean by the hot breath of the Mother as the steam rose out of the earth. Everyone was amazed at this supreme natural wonder of the earth and were glad they came with me.

Others in our group trekked to the Volcano Park in Latrelle’s car and even managed to get lost so that they missed dinner, yikes! We got a little worried, but they came in all aglow from their adventure. They managed to find a restaurant out there somewhere on a Sunday night. Others in the group hung out at the beach and pool by day.

On our way back from the steam vents, we took a drive and went into the near by town of Pahoa to shop. We stopped at the shop called “Jungle Love” owned by a nice belly dancer (forgot her name, sorry).  She wasn’t in the shop so we missed her. Left a note. “Amy, Erik, Dahlia, Delilah, Bevin and Bella were here!”  After it cooled down we were back to dance. We are doing well with the pace of the different classes. Some are hard, some review and some are easy now.

Who is on this retreat?

We are a group of 12. Four of us are instructors. Most from Seattle this time. (That’s actually rare.) Tessa, Erin, Bevin, Bella Jovan, Carolyn, and then Cindy from Wisconsin via Arkansas, Latrelle from Texas and Tina from Chicago. It was easy to learn everyone’s name fast.

Again, the jungle is crazy at night! So many stars in the sky. The moon was full before we arrived and is getting smaller. It shows it’s face in the wee hours of the morning so the nights are mostly black. The night hours seems to be divided so that different animals get a chance to lead the chorus. They influence our dreams I’m sure; birds, frogs, crickets, creatures and falling branches and coconuts. We can hear the surf and the occasional night rain showers hitting the roof and trees. We have ear plugs if we want but I wouldn’t trade it for the world. Oh, and sometimes wild pigs can be heard walking around behind my cottage and making low grunting sounds.

Conversations:

We reminisced about some funny stories Katrina (of skin deep) told in the car the

year she came to my Hawaii Retreat in 2006. We are still laughing!!! We also laughed about Princess Farhana and Laura Rose who shared a cottage together at the  2009 retreat.  LR  did her famous MISS PIGGY routine in one of our shows. The wild pigs came and hung out at their cottage (knowing their was a famous pig celebrity sleeping there) and so Princess has affectionately named LR  “Pig” ever since. (Hope LR doesn’t get too mad about that story. It’s cute!)

Bye now. More, maybe later, again, if I get a chance . . .

Delilah

Letter #3

April 5th, yesterday, was Amy Sigil’s Birthday! The weekend before we left Seattle we helped Princess Farhana celebrate her Birthday and also Erik’s! It’s a very special time to be with people on these ritual days of their lives.

For her birthday, we gifted Amy one of my special “Veil Therapy” experiences. Only Bella Jovan and I knew how to actually deliver a Veil Therapy session, (AKA Veil Blessings). However, they all were quick studies. Kind of wonderful to have the opportunity arise where Amy would get to experience my Veil Therapy sessions. Can’t imagine it coming up in the course of our regular interactions on the mainland. We used her kind of crazy hard-pressing music for our session. Erik picked it out just for her. The experience lasted about 25 minutes. She was touched intensely, she cried like a baby when we were done. Good cry, caring, intimate, moved deeply kind of cry.

(I’ll explain what VT is, some other day.)

So far the dancers have had 12 hours of Improvisational Tribal Style now. OMG! They are totally getting it! They are going to walk out of the other side of this retreat as Tribal know-it-alls! LOL. A couple of us are daunted by the quick change choreography but are learning stuff and picking up a lot of nuances and certainly gaining a full  understanding between the differences of A.T.S.,  I.T.S. and Tribal Fusion!

Amy says she is really digging the chance to teach this straight out. It’s a rare opportunity. Usually she just gets a couple-hour workshop in every city and so ends up teaching a tribal fusion combo. This is way different. That’s why I set this up! I knew this. I just wished I could have been able to make it more clear to other dancers so they could have taken advantage of this incredible opportunity. All teachers are in this boat when they just drop into a city to teach to a bunch of new dancers for a few hours. A retreat is different! We all get stretched – teachers and students. Part of the problem is that my instructors don’t know what to expect before they come to my retreat so they don’t really know how to tell their students. I think a repeat of this retreat would be more successful.

I would love to repeat it, but it’s a lot of staff expense to have 4 teachers. I would have to know enough dancers would pony up the money to come.  -Improvisational Tribal Style with Amy Sigil and Egyptian Dances & Music Interpretation with Dahlia.

CALL ME IF YOU WOULD WANT TO DO THIS IN JANUARY 2011!

I HAVE NOT SET THE JANUARY 2011  ITINERARY YET. 206 632-2353.

Got some quality sun time today. Laid out by the pool. It’s a beautiful pool in the shape of a tee with palm trees and tropical flowered landscaping. It is so relaxing and tranquil. A statute of the reclining Buddha languishes on the lawn. A lovely Ganesha sits where the diving board used to be. The board wasn’t removed because of an accident.  Just insurance policies forced them to take it out. (Don’t you love America? Other countries don’t act like this.) There are statues all around the grounds. Tons of fruit trees as well. Red, yellow and  blue birds flit all around while doves coo.  At the pool there are 2 hot tubs, a dry sauna, and showers. We are right next to a massage studio and a watsu pool. It’s a clothing optional pool. Nice. Who wants tan lines? Things are very relaxed.

This fact reminded me the 2 times musician Jeremiah Sotto of Solace came to my retreats! A bit surprised by the clothing optional pool status. We assured him being naked was not mandatory and giggled. Again, things are very relaxed.

Dahlia is the perfect compliment to all this tribal intensity. Her “Improvisation – Be Here Now” class came to us like a soothing salve after so much specific technique. Our emotional bodies got a opportunity to be a bit cathartic inside our browning skin. Oh yes, we are getting brown. The rains come mostly at night or by day for short intervals between the warm caress of the sun. Gotta have the rain to have all this beautiful jungle. Perfect temperatures accompany all this action we are displaying!

Me? So far I taught Power Belly, energy balance, veil therapy,  2 moving meditations; Grounding and Centering and Hathor. Oh and I added a few performance notes to Dahlia’s class. I am getting the chance to relax and recharge my batteries. Much needed.

This really is a nice balance of movement and personalities! They, we, me, are loving it! Oh, I got a massage this morning. Much enjoyed, and I heard everyone making appointments this morning.

oxox

Delilah

Letter #4

Aloha again

More Tribal and it’s feeling more and more like home inside our neuro pathways.

Yesterday we experienced some amazing rain at 11:30 AM. So loud, I had to literally yell to be heard when teaching a dance. Very difficult. It was like we all were captured in a bubble of air inside a waterfall. We could feel the water in our mouth as we inhaled. Our body temperatures created a sauna aura environment around us. It was extreme, fascinating and exciting, actually. Dahlia let out a loud cathartic and ecstatic scream that could barely be heard. Luckily it didn’t last too long.

This afternoon Dahlia taught a lovely Egyptian Choreography in the afternoon to part of an Om Kolthum piece with a veil. Nice. I especially like the “jewel step”.

At night there was a big Hula Class with Richard Koob and friends that the gals all went to in the Emax studio. I went straight to bed after dinner at 7:30 and passed out. They reported back the next day all a glow from the wonderful experience. There were live musicians because it was special for the Merrie Monarch Festival taking place on the island. It was the 40th year celebration.

Early in the morning (on Day Six), before breakfast, Bevin and I drove to this place down the road called Coconut Beach. We walked out across the lava fields talking, when I looked over my shoulders after 10 minutes, and to our surprise, on the hillside far away, but behind us and to the South, was a long smoke-filled fire line marking the edge of the lava flow. We had heard there wasn’t much going on that one could see. Most of the Volcano park was closed because of crater off gas activity. Wow, this was impressive. Then a few minutes later a local Hawaiian guy met us on the path and confirmed, “ yes.”  The lava action just got bigger. Still no flow into the sea – just surface flow on the ridge and in the caldera higher up. He asked us if he could share a traditional morning Hawaiian chant with us to greet the sun. “Sure.” It was very beautiful. Then we shared our grounding and centering ritual with him. When we got to the part that says “We open our heart,” he jumped down and picked up a perfect heart-shaped rock and placed it beneath the rising sun in the east. Magic!

Back to Kalani .

We had a talking circle a bit before class. Dahlia was feeling overwhelmed – experiencing the magic of the retreat process. It’s something that cannot be relayed to another person very well. When they experience it, there is this special “ah ha” knowingness. She said it’s a bit like the culture shock you get by leaving the country for the first time. She had traveled a lot before she had children, but this was the first big isolation from her kids and family that felt so far away. Not just in miles but inside /outside of time. It’s the quality of time being spent on something you love and the freedom from responsibilities. No one is doing dishes and picking anyone up from school. It’s a big open space in our lives to retreat. It will change our life and shift our perspective. Often people refer to their lives as “before the retreat,” and “after the retreat.” I have done it over and over, seen it unfold in so many dancers’ lives. The underlying theme to this time of year, Easter, is REBIRTH. Welcome to the club, Dahlia.

This morning’s class was on “Saidi Style” with Dahlia. She is so fluid in changing her style of movement. She really does have one of the best shimmies I have ever seen. It’s so even and precise.

After lunch we had free time before our performance night. We caravanned down the scenic road 20 minutes to a mild adventure to a place known as the Hot Pools. It’s the size of a municipal public pool. Nestled in a grove of palms in a beach front park. It’s a nice, large, clean pool made from masoned lava stones and cement. It has steps and hand rails for easy access, with a mostly sandy bottom. It’s no more than 5 1/2 deep at the deepest and protected from the high surf by a sea wall . It’s very relaxing and therapeutic to soak or just sit in the park and enjoy the scenery. Someone built it intending to create a spa center many decades ago. The bathtub warm water is fed by underground fresh water hot springs and mixes with the salt water ocean. Little fishes nibble at us a bit.

Show Time

We invited a yoga retreat and a few Kalani staff members to come to our little show in the Rainbow room.

The line up was ;

• Bevin . . . danced a wild, visceral fusion to a heavy metal Norwegian rock song.

• Cindy . . . did a piece called Rouge Infusion

• Dahlia . . . danced some stellar Egyptian to some Beledi and Shik Shak Shok

• Delilah and Erik. . .Ya Aziz Aini and a drum Solo

• TRIBAL GROUP DANCE . . .6 dancers and Amy did a stellar tribal improv that blew the audience away! Good job ladies! So proud of this weeks work. It looks like VDP STUDIO will be adding a new class to the schedule in the very near future!

• Carolyn . . . followed with a clever choice in music and a steam punkish kind of costume

• Bella Jovan . . . danced a lovely cabaret dance

• Amy Sigil . . . did a solo that was very slow and made out of American Sign language enhanced by deep emotional and movement interpretation. Very very moving. Then Dahlia joined her on stage and they did an “Unmata” style choreography together. Superb!

The audience loved it. Afterwards the dancers were giddy with themselves and insisted in continuing to practice their new found Tribal Improv dance with each other until the sound system had to be turned off so people could sleep.

This retreat was truly everything I had hoped it would be.

Today we review and some are leaving early this morning due to schedules. The retreat is officially over on Friday at 1:00PM. This afternoon and tomorrow morning are free to practice, relax, get some body work done, catch up on sleep, eat and return home rejuvenated.

Aloha!

Next Hawaii retreat is in the end of January.

Details soon!

Delilah

In the past year the Neighborhood Temple Priestesses have done a ton of good work. I want to share below, but first an introduction.

This is an excerpt from Ruth St Denis Poem called “ Entertainment for the Beloved “ , I glean my life long inspiration from this and a few other poems. An autographed copy of this poem was given to me as a girl by my grandmother and I have used in my dances on many occasions.

“I dreamed of dancers

long since dead

asleep in the tombs of kings, and queens.

I dreamed that they

rose from their shrouds

and once again assembled

the scattered liniments

of their long lithe bodies,

they move to effortless measures

to the  drum beats and the lingering melodies of the harp.

Those dancers of an ancient past

slowly they moved among the long tables,

laden with fruits and wines,

trained in the rhythms of the east

and made wise in the rhythms of love it’s self.

In the sweet scented nights

under the low hanging stars

I saw you in my dreams,

dear dancers of the long since dead

and I wondered if if it might not be

that in this eternal now (which includes this hour)

that you might not still be moving

in the shadow of the temple aisles,

still weaving patterns of immemorial loveliness

as you did of old

and that kings and princes

bent upon you

eyes of desire

and raise you from your low obeisance

to find joy and honor in their arms in the passing of the scented nights.

by

Ruth St Denis

***

Neighborhood Temple Priestesses are called NTP for short.

NO. . . WE ARE NOT A RELIGION! . . . L.O.L

Our dancers are from all different walks of life. We are a dance collective.

However, we do view belly dance as food for the soul and supremely value it in our lives. We see belly dance as older and drawing from roots deeper than todays modern cultures . This gives us much freedom and artistic license.

We take our name from these inspirations:

NEIGHBORHOOD. . . a greater community than just ourselves but that surrounds us and we are a conscious and participating member of.

TEMPLE. . . Our body is a temple. Our dance feeds our soul, Our studio space a house for the dance we hold high. The space that allows us to do the good work in community. The temple gives us physical and metaphysical foundation.

PRIESTESS . . . A women who leads rituals. In America belly dance has always drawn inspirations from ancient times. This female station makes us think back to a time when women danced in temples as priestesses, stewards, mentors, healers, councilors and leaders in community. In ancient times “dance” held more importance to everyones life than than just gym class of stage performance. This word priestess denotes a high place women once occupied more vividly. We feel belly dance needs a lift in status and ego identification. We know it’s value in our lives as well as how it touches those around us. Priestess sounds more serious and I suppose we take our dance more seriously than the unaquainted with belly dance would guess. The word “Performer” sounds less personal, like a circus act and while we have fun we bring beauty and sensitivity to the things we do. Our work effects us as much as it does those around us.

All belly dancers dance for everyday rituals like birthdays, anniversaries and weddings showers. Do they realize the importance rituals play in our lives? Or do we all get so busy and used to things that we loose the significant meaning ritual plays in our lives. Instead of taking a passive performance role we aim to step up and facilitate the significance of these gatherings a bit more directly. We do birthdays and the like, as well as take it a step further than most and do wakes, memorials, house blessings, ground breaking, healing support gatherings, coming of age. We create new rituals, build public and private art installations utilizing belly dance. Examples;  dance labyrinths, shadow plays,  solstice feasts, luminaria walks, parades, nature dances. . . we use creative and intuitive energy to bring us all closer to the present moment in our lives. As a dance group we aim to share these acts of grace with those around us. The work we do feeds our hearts and rewards our soul. We leave them crying often. In a good way.

We feel that the average Joe on the street has lost a connection of original dance. Dance in ancient times was not for show so much as it was a way for each individual to participate in direct commune with powers that are bigger and more beautiful than can be comprehended. The first dances were around camp fires,  joining hands and dancing in circle, and dancing from house to house and village to village in celebration of the cycles of nature and the gift that is life. In it’s basic form the drums immitatie our heart beats. As it quickens it intensifies our energy and compel us to jump, turn, shake, stomp, skip and reach levels of ecstatic movement. These occurrences are unspeakable for there are no words that capture that feeling. In ancient times dance was something everyone did because it was as essential to life as food,  water, shelter and air.

Today we have a very distant association of what dance is. So many people do not know what I’m really talking about. Dance has become something you need a partner to do. Only for certain talented people or something studied and learned instead of a basic necessity. Our traditional dance academies teach people not to dance more than too dance. We are brain washed to think of dance as for the young skinny children. How many men in our culture say ” sorry I don’t dance”? We are dedicated to dissolving that myth.

The NTP is all ages and walks of life and levels of dance experience. We are not limited to just dancers. We have artists and other supporters who have joined.

We do traditional belly dance, creative dance, ritual dance, trance dance, pharaonic dance and dancing in nature. What defines the dance for us in not one ethnic culture but the culture of women. Women hear the call to belly dance and associated expressions that come from our feminine being. We feel the would needs more of this.

Basically 3 kinds of members

1. Active Core Members

2. Auxiliary   Members who are very busy and get called in when we need them or they have time and interest.

3. Members from inside and out side the Seattle area that belong to our yahoogroup. Online we share the progress of our creative projects in hopes to educate and inspire like action as well as learn from our mistakes. We read books together, hold good thoughts for each other, and other positive acts. Membership is always open.

http://groups.yahoo.com/group/Neighborhood-Temple-Priestess

Chapters;

We have a Honolulu Chapter that has just started up and similar interest evolving, in Alabama a couple other places have expressed mild  interest. We have members from other countries too.

http://groups.yahoo.com/group/Neighborhood-Temple-Priestess

In Seattle we hold three kinds of get togethers. Meetings, Workshops and combinations. Workshops are where skills are shared projects or developed. Meetings are about planning new projects, scheduling and taking care of business. NTP is not suppose to take the place of ones sole dance instruction but add to it. Fees are flexible. No one is turned away. Call and come to a meeting. They are listed on the VDP Calendar.

The way the group works is simple. Not a lot of rules. No dancer has to do anything she’s not interested in. If a member has an idea and a project she wants to move forward with there is nothing we can’t do if there are members interest and available in the group. In 2009 we have done many fund raisers, baby and wedding showers and other women’s gathering in the past year in addition to these larger community projects listed below.

This past year.

2010 January; Kalani Hanua Non Profit Arts Retreat, Hawaii. Installation of a 48 foot wide dance labyrinth using 650 electric candles and flowers. This was set under a full moon for participating dancers as well as the local community, and was followed the next day by a smaller, spiral-style, organic dance labyrinth made of bamboo leaves.

2009 December; Open House Winter Solstice celebration, VDP Studios. 22 foot wide indoor dance labyrinth with 400 electric candles. out takes are on one of the Power belly Show episodes.

2009 December; Pathway of Lights, Greenlake Park. Moving dance installation with both dancers and musicians.

2009 October; Trolloween, Fremont Arts Council. Outdoor 3-D shadow dance performance and installation.

2009 October; Autumn Meditation, Greenlake Park. 800 Candle Dance Labyrinth

2009 September; Arts-A-Glow Outdoor Festival, Burien City Parks. Performed a 3-D Shadow Dance

2009 August; A Dance for Celeste, Luther Burbank Park, Mercer Island. Neighborhood Temple Priestesses outdoor dance memorial celebration held at dusk. Used 300 electric candles along with white veils.

2009 January; Mommy Muse, Hugo House. Featured dance performances in conjunction with a presentation by Christy Cuellar-Wentz, MA on postpartum depression.

2009-08 July; Annual Mediterranean Fantasy Festival, Seattle Parks & Recreation,

We have a yahoo group you can join and follow along with our work. dancers belong in all different cities. Neighborhood-Temple-Priestess Yahoogroup

We have some workshops coming up.

The fee is by donation upon ability. See our calendar page.

March Dance Events:

Part 5.

Power Belly Show Episode 35

with H.O.T.  Princess Farhana and me.

Continuing along our chain of dance events.. . .

Monday we shot some clips with Princess Farhana for the Power Belly Show

extra tutorial parts . Then at 6:30 we co taught an episode together with live music

provided by H.O.T. They all wore their Tuxedos in honor of our 35th episodes of

work! The music is fantastic and this episode demonstrates why we call it a show!

It’s a fund raising episode.

BUY IT HERE PLEASE! . . .Should be up end of March.

We need a new camera if we are going to continue to make these episodes available to folks in estudio land.We are far from paying our bills each week.

We need some faithful subscribers!

Thank you all how came out to support so much this entire weekend!!

Wow wow wow! The stars were perfectly perched!

Thanks universe! Things are definitely clicking around here lately!

love you madly,

Delilah

PS There is more coming on Tuesday we have Freya from Los Angeles doing a ritual Trance Dance workshop.

Then Dahlia, Erik Amy and I will all be in Hawaii for the top of April!

Still room left (I think) call me! 206 632-2353

oxox

Delilah

***

March Dance Events:

Part 4

More Princess Farhana.

But that wasn’t the end of our crazy week.

Oh no! Sunday we did a Basic Burlesque workshop with Princess Farhana. She told the historic perspective, connection, and how belly dance and burlesque have  influenced the other . Burlesque and belly dance clubs used to be right next door to each other on the Sunset strip San Fran, NY, Chicago. . . The beaded burlesque costume was adapted by belly dancers. In the early days Harry Saroyan told me how the dancers in mid east clubs when he first came to NY all wore pasties. There have been many intersections where dancers meet and the issues of their sexual power come up. If you aren’t comfortable with your own body it’s hard to sit still and allow someone else who is to use their power. The workshop was a enlightening reality moment.

I am a feminist and I love burlesque!

I love the power demonstrated on stage in a good burlesque show. I have yet to be made uncomfortable. Am I going to do it? maybe. After watching burlesque shows where the audience is full of women hooting and hollering, screaming and clapping as their sisters of all shapes and sizes flaunt there stuff, bedazzle us with beauty and endless sparkle, I see their power, freedom, creativity and wit shine through full force.  It was so fun to give it a try in the privacy of our studio and strut around. This workshop felt like a healing of unclaimed body parts and psychic cultural denial. Alas. . . Next time she comes we are going to offer a beginning and an intermediate performance course.

***

The day ended with a wonderful dinner party celebrating the week end events at

Sallah’s house (the violin player in House of Tarab ). What great cooks they members of the band all are. They not only cook it HOT on stage but they are Hot in the kitchen and barbecue too.

Delilah

PS Buy Princess Farhana’s Videos and mine. You will love them all.

The Power Belly Show Episode #35 has her co teaching with me. Up shortly.

***

March Dance Event

Part 3

Hathor Unveiled

Then the Hathor Show  was Saturday night. . . .OMG what a wonderful project to be a part of. Suzanna and Malia are such good girls. To honor their belly dance forbearers in such style! Hopefully some day they shall know the same privilege to be honored in ones community. Beautiful job, beautiful job! I choose not to do the kind of dance I am known for ( I did that so deeply the night before). Instead i took the opportunity to add to the Hathor theme of the whole event with a deeper tone . Dancers often miss the opportunity to be in contrast. It’s not always easy to leave what you know people expected to see you do. Since Hathor is my favorite mythological archetype I choose to dig that dance out of my dance closet. I this dance has a long history. It was originally commissioned as part of Laurel Victoria Grays EGPTA Show in Germany. That and a dance called “The Death of Cleopatra”. I also danced it in Hathor’s Temple in Denderra Egypt, in California at a retreat at a place called Isis Oasis, on Easter Sun rise at my Maui belly dance retreat with Mezmera. I teach it as a movement meditation often in workshops.

It is very calming and sooting to do with it’s specific movement passes and spacial design. The moves lead to a deeply trance inducing meditation. Often a tear appears from my left eye. I have no idea why, it just happens, and it happens often.

The full dance with costume was not easy to resurrect. The wig was made in 1975 . We fought for hours trying to stabilize the brass and copper moon piece on top of the head dress that was made by Lenny of Magic Circle in 1997. We finally figuring it out with the help of Christine and Erik right before the show. Yikes! Hathor’s mirror is an amazing art piece with carnelian and amethyst jewels, 7 knots of cane as well as the vertebra of a cow set into the handle. It was made by Uncle Mafufo and it was taken and used in the temples and pyramids of Egypt on 3 separate trips. The music is by my X husband Steve from his , Rapture Rumi Cd but it’s a special edited version. The blue and gold jewelry pieces were given to me at a workshop in New York in 1988 and just happened to go with the peal beaded dress I magically found in 1997. Laura Rose and Christine were my mirror and aunk attendants.

Hathor’s Mirror represents reflection, beauty, and mystery. The aunk is the life symbol. The ancient Egyptian Goddess Hathor represents women, birth music, dance and drunkenness. It felt so good to be able to share this piece with the belly dance community.

My wish to Hathor is for the power and strength of our belly dance community to

continue grow in the feminine ways of women’s innate wisdom.

Your

Neighborhood Temple Prietess

at your service

PS I am planning a Tour to Egypt in April of 2011

Email me your name phone and street address and I’ll send you the brochure soon as it”s ready.

PS Related story links

Experience of the Beautiful

Cane Dance of the Hatshepsut

Hathors Movement Meditation

***

March Dance Events:

Part 2.

Noc Noc? Whose There? Princess Farhana!

On Thursday we picked Princess Farhana up from the air port. She is a world famous belly dancers as well as a neo burlequer who got her start with the Velvet Hammer in Los Angeles. That night she did a guest spot at the Nov Noc Club with Evilyn Sin Claire and the Sinner Saint Burlesque Revue, that has been enjoying a long run every Thursday night for the past 3 years. A ton of belly dancers came out to see the show( Princess would be featured in s strictly Belly Dance show on the next night so this was their chance to see her other side) It was standing room only. The theme of this 6 week run is “”Animalia””. Erik Brown was an an extra in Princess Farhana’s Dorothy of the wizard of Oz act. He played a flying monkey. Evilyn did her Miss Piggy and the Goat Girl May Pole dance. Very pretty, very sexy. It was a great show and a late night

***HOT SHOW

The Friday night belly dance party at VDP Studio was packed; Line up; Princess Farhana, Delilah and the 6 piece Mid east band House of Tarab (and I truly think

it was one of our very best studio shows ever!)  We were all on! We were bathed in such a warm supportive audience from one side and the loving eyes and music playing hands of House of Tarab on the other ! Bliss! I felt like if I danced and died I would have been totally satisfied. The smiles from all our all our friends are etched in our minds. When a performer has that kind of rich supportive intimate environment every move becomes so effortless and so deliberate in expression. Thanks. We were all swimming in love.

***

The Saturday belly dance workshops were well attended and I learned a couple new movement perspectives from princess!

Dancers came from far away too! Awesome to have such support!

Delilah

***

Evilyn and Bell

March Dance Events:

Part 1:

The Porcelain Promenade

This has been the most amazing string of dance events so I have entered them in parts.

I suppose it really began the weekend before when we went to Hales Moister Festival’s Burlesque show at the ACT Theater. My daughter who is known as Evilyn Sin Clare in the burlesque world (and Laura Rose in the belly dance world) did a fabulous duet with Belle Cozette in that show. It was called the “Porcelain Promenade”. The whole evening show was one of the best burly-circus shows I have ever seen! However the duet was definitely a spectacle in it’s own rite. It involved weeks of 20 volunteers spending 100’s of hours gluing 40,000 rhinestones on 2 toilets. They were then set on wheeled platforms and the two girls did a hysterically beautiful ballet with them. In the beginning hearing about their act raised a few eyebrows but the girls determination and vision succeeded to surprise everyone and win in the end result(you have to see it). They were in a sense burlesquing burlesque they claimed. They went on to perform it at the Triple Door as part of the Sin on Heels Revue on the next Wednesday night. It got favorable write ups all over town, including a feature bit in Jessica Prices Theater column in the stranger! She said they were the zenith of the show!

Article Here

Both girls have worked so hard on this act . Costumes, props and tons of sparkle!

WANNA SEE A CRAZY DREAM COME TRUE?

They need your help!

HELP SEND THEM TO MISS EXOTIC WORLD!!!!

Evilyn Sin Clare and Belle Cozette are entering the “Porcelain Promenade ” along with some solo works in this Junes Miss Exotic World Pageant. They have to send in video tapes and then be selected . I’m confident they will make the grade.

Miss Exotic World

They spend 100’s of dollars on each rhine stone toilet  and are really out of bucks.

They need a truck to get these props and them selves to Las Vegas in June.

I will post soon where and how you can donate!

Proud Stage Mom

See Photo here

Evilyn Sin Claire & Bell Cosette

*******

This past couple of weeks has been a chewy one for my mind. On different occasions in conversations I’ve heard these words spoken and then the snake chama controversy arose on the internet on different internet forums I belong to. I thought I would share these powerful adages and some thoughts I had that rose from reading comments and viewing the youtube snake chama video. I wrote this last week but re read it a bunch before I posted it.

****

“It takes little effort to criticize something,

and so much work to create something.”

( words of wisdom from Celeste)

*****

“On the underbelly of judgement is longing”

(words spoken at a labyrinth school)

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“Todays most valuable and sought after commodity is your focused attention”.

(woods spoken at a labyrinth school)

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“Envy is often indistinguishable from pride.” ( review of 7 deadly sins. This on deserved a lot of thought!).

***

“Know thyself”  (Delphic Oracle)

****

SNAKE CHAMA

As some may be aware this video seems to have rumpled the feathers of many belly dancers. They have become very outspoken in the comment section underneath the clip (mostly negative) on  youtube, as well as in various belly dance forums, yahoo groups across the nation, and on bhuz. . .

Below I share some thoughts that some may not have thought about. I find throughout my career that we, as a sub culture of women, are very confused and need to continually take our blinders off. Blinders are something you put on a horse that prevents them from looking to the rear and/or side.

I feel like I should say something. I am a person who happens to have done a lot for belly dancing in my career. I‘ve been invited to attend the International Belly Dance Conference in Toronto as a representative of pioneering belly dance in America next month. That must mean something. Delilah Bios

I do not think the women involved in this video have ruined the reputation of belly dance as some of the commented.

I would ask the women throwing stones what they themselves have done to elevate belly dance. I don’t see a lot of large strides being made these  days. I see lots of hen pecking. Lots of internet self importance. I feel the actions of these comments is more offensive. Partly I blame the technology of the internet that often draws the worst of all our voices to the surface. Talking in person is way different. Just like dancing in person is. We have the circumstance, the atmosphere that surrounds us and how we are dressed. These thing make a difference in our thought processes and our behavior.

Most people are afraid to comment on the internet because of the  flaming. If you have ever been a victim of the flame war, you feel like few will come to your aid, mostly because they are afraid of the flame themselves. Enough about that for now, I don’t really want to talk in that direction today…

Thoughts about the Youtube clip with Sadie and Kaya snake chama

Question:

If a tap dancer or a salsa dancer danced suggestively to lewd hip hop lyrics on youtube do we feel all tap dancers or salsa dancers are at risk of being thought of as suggestive and lewd?

My answer: No, I wouldn’t think so.

Question:

Well, how come when a belly dancer dances suggestively to some lewd hip hop lyrics on youtube many other belly dancers feel their own reputation and the general reputation of all belly dancers is at stake somehow?

It touches a very real nerve. I ponder hard. . .

I hear, I feel, and I can smell fear . . . I see not power nor strength from either side.

This attitude is very stifling.

Ladies, does our sense of worth come from inside us, or outside us?

Do we respect ourselves and other women or do we still, deep inside, doubt that women have worth as fully embodied females, the way God made them. Is our better worth only as non sexual beings, neutered versions of women?

I would hope that your reputation is built on good deeds and work you have done. If you haven’t done any, than that may be more the problem then someone else’s mode of self expression. I see these dancers who have responded negatively on the youtube clip as well as other talk groups claim that they have lost some degree of respect that they have somehow earned. I am curious what  exactly they themselves did?

As a subculture of women, do we even have a sense of worth, or is it non existent? (I made more money for teaching and per performance in 1979 than they get today).

Is our worth so fragile that one persons voice of expression paints all the rest? Kind of pathetic to me. Maybe part of the reason that women are continually objectified is because it’s so easy to do to them. Our defensiveness turns us upside down and renders us powerless.

The way to not be objectified is to use your own power. I am not suggesting we ignore things that upset and effect us, but ask your self what can you do to create a desired positive change. I don’t think ridicule and throwing things at other dancers has accomplishing much.

Side bar:

Women’s power is the Power of Attraction. Thats why women in the middle east cover up. Men are powerless in the face of women’s power of attraction. Thats what they claim! In the western world men learn to behave (kind of), and women learn to pretend they don’t have it! It, being the power of attraction.

We have been taught wrongly that there is only so much love, beauty and resources to go around. It’s called poverty consciousness. Right now with the economy, it is at a record high. For women, the other two, beauty and love are as much at stake as money. When we see someone using those resources “we” think ,it’s unfair. (Envy or PRIDE) What we miss is those girls may be lovely, but all women have the power of attraction. It’s not a commodity, it is a power in the universe. Women have been fooled into NOT knowing they have it.  We have also been taught that only a narrow spectrum of life is attractive; the young, skinny, blonde and big boob parts.

Haven’t you ever met a girl you didn’t think was a looker by conventional standards and yet she gets all the attention form men. Well I sure have. The power of attraction is not what you think. It’s how you feel inside.

******

Who is calling who a Ho?

The mean spirited comments lobed at those girls are pretty nasty. Even more offensive to me than the video. There is not breasts exposed or frontal nudity in the video. No one calls them a ” ho ” in the video that I could pick out. However, they were called prostitutes and hos in comments by other belly dancers. I looked at the comments and I didn’t see anyone chiding the boys for their choice of artistic behavior. Just the girls. So I listened to the lyrics closer. They are adult, but not so bad. In fact it’s beginning to grow on me. A couple of get-your-attention rhymes but nothing worse than what one hears on South Park. (Not to say that condones anything. I’m just saying,  it points to larger society issues, and hypocrisy. Those throwing stones probably accept a lot of crap from society as cool).

I think those singers really likesbelly dancers! LOL

I went to the bands site I found they have a trailer where they verbal announced with pride who the dancers are on their video. That was positive in my book.(I was in the major motion picture China Syndrome and didn’t get my name on the credits. It was fun. It was just a role. but not especially doing anything for BD.)

Then I noticed another youtube clip by one of my favorite dancers, snake chama with Rachel Brice. Not a lot different save for the lyrics and the lack of blatant sexual suggestiveness. Yet, she is still sexy in a fashion model tribal way. We are looking just as closely at her sexy belly. The place where sex happens! Belly to belly. OMG!

So what’s the real difference for you ?

***

The song is a erotic love poem about snaky sexy belly dancing. Ahhh? Belly dancing isn’t always sexy. To me it can be  many things (some times it’s down right frumpy), but it sure can be pretty sexy, as these girls illustrate. Serpents have always been connected to this dance. Down deep? Is that not what attracts all of us to the dance if we were really honest?  Some sort of ancient symbolic feminine serpent wisdom . This is what I learned in women’s studies class 101. But then there is that garden, Adam and Eve and the serpent thing, so maybe all that Puritan stuff  triggers the defensive action in some dancers.

For crying out loud don’t let it! You know how beautiful and positive this dance is for women and don’t you forget it for one moment!

***

To deny our own sexuality is pretty hypocritical AND disempowering!

When we get all defensive especially with each other, the scorn feels so puritanical. I feel  the inquisition lurking around the corner. In the olden days free blacks owned slaves. Thats called wearing blinders. Slaves whipped other slaves. We don’t need belly dancers that don’t have their own sense of self esteem whipping other belly dancers. Better no whippings please.

*****

I feel strongly belly dance empowers my life. That has been my message throughout my career. However, when I feel that there are boundaries set, telling me and others how to express my art; somehow I don’t feel very free. Especially if the boundary being set, even tap dancers can step over. Jeepers!

Truth is we are all free to express our art. . . and truth is, there may be consequences.

While I don’t choose to express myself in certain manners, morally I suppose I must value the freedom to do so. THATS BEING AMERICAN!

*****

Over all I want to encourage dancers to do good work, good deeds and quit worrying about what others do with their artistic licenses. If you have a deep commitment to this dance, to the art, to the profession of belly dance. . . Then I encourage you to each make sure your own artistic license is getting lots of positive use!

Go create something beautiful!

******

Dear Belly Dance Artists,

Happy Belated International Women’s Day (March 8)

Times are difficult and yet I have very good reason to feel gratitude in my life these days. Gratitude is a very healing state to be in.

I want to share this cool site with you. I happened on a long while back. It starts with a fascinating symbolic art video them opens out into an experiment you can take part in if you like. It’s a very pleasurable experiment.

http://www.gogratitude.com/masterkey/

Try drawing the go-gratitude symbol with your hips!

Enjoy.

Delilah

Special Thank you to “Arielle Dark”, as well as the Honolulu Chapter of the Neighborhood Temple Priestess.